{"id":1114,"date":"2024-05-22T19:36:22","date_gmt":"2024-05-23T02:36:22","guid":{"rendered":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/?p=1114"},"modified":"2024-05-22T19:50:04","modified_gmt":"2024-05-23T02:50:04","slug":"on-death-by-abigail-green","status":"publish","type":"post","link":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/on-death-by-abigail-green\/","title":{"rendered":"On Death by Abigail Green"},"content":{"rendered":"<p>I first learned about The Other Side at that dining table antiqued with anguish. That one where<br \/>\nwe would pound our fists and carve our nails into the brittle wood, wishing we could make the<br \/>\nemotional pain physical.<\/p>\n<p>I had heard about it before in Church, this place the energy from our palms reached when we<br \/>\nexalted Him. We held His personification in gratitude, in impermanence. People I knew of<br \/>\ndistantly were there, surrounded by light and everyone they ever loved. People I didn\u2019t know<br \/>\nwere somewhere else, certainly in a bleak solitude, perhaps even tortured from the darkness.<br \/>\nSomewhere in between was where I came from, from dust I was told. To dust I would return.<\/p>\n<p>Still, I didn\u2019t understand it in my soul until that dreary Tuesday night when my mom offered me<br \/>\nlemon bars and a chance to stay up later than my sister. I don\u2019t remember it well, just flashes of<br \/>\nher voice and the feeling of my nails in the wood. She was crying, I wasn\u2019t. I told her I was fine<br \/>\nand then banged my head in the pillow until I felt its tenderness. What was this feeling, what was<br \/>\nthis promise of a life?<\/p>\n<p>What happens when you are a mother, and you are forced to unravel a new world of devastation<br \/>\nonto your daughter? What happens when you can\u2019t get through it, when your own grief takes<br \/>\nover your soul and you can\u2019t speak? What happens when, in the days after, you grieve her loss<br \/>\nmore than she does, when you worry too much that she will never get over it? What happens<\/p>\n<p>when she can\u2019t get over it, when she still feels it in her heart and her bones every time she thinks<br \/>\nabout it ten years later? What does a mother do then?<\/p>\n<p>That first night, I didn\u2019t know it would become a pattern, that lemon bars would take on a<br \/>\nbrooding meaning, that staying up late meant another talk. I didn\u2019t know that friends dying<br \/>\nwould define my early years, that the tear stains would remain on the violet pillowcase in the top<br \/>\nbunk of my sister\u2019s bed, where I slept when I couldn\u2019t be alone, usually when I couldn\u2019t fathom<br \/>\nliving my life without someone who was gone.<\/p>\n<p>The next time it was lemon bars again. Dad was on the phone; she couldn\u2019t do it alone this time.<br \/>\nIt was a closer friend, someone who I had shared a bed with just three weeks before on a school<br \/>\ntrip. Slowly, I would forget what it felt like to connect with her, physically then emotionally. I<br \/>\nwould forget whether she snored, whether she kicked in her sleep. I would try for years to<br \/>\nremember every second with her, every time we spoke or shared a look. I would detest myself,<br \/>\nbang my head against that same pillow, as the memories started to fade, as the memories of<br \/>\nconversations I once knew every word to were obscured.<\/p>\n<p>I kept the only gift I had from her on the top shelf of my closet for six years. It was an extensive<br \/>\nwatercolor set, with three palettes and two synthetic brushes I wore thin. Occasionally I would<br \/>\ntake it out, look at it, and see how much dust had taken it over. Each time, it ended with me<br \/>\nsobbing on the floor, guilty that this dusty watercolor set was my only tangible memory of<br \/>\nsomeone I spoke to every day for four years. That the energy between us had culminated into a<br \/>\ndusty, old watercolor set.<\/p>\n<p>The third time, it was just a sick fucking joke. Dad was there, and we all knew the drill. No<br \/>\nbaked good necessary. An entire family had been taken in mere minutes, a brutal plane crash.<br \/>\nMy parents were grieving not only for me, but also for their friends this time. As a family, we<br \/>\nwere more broken than we had ever been in the days after. I saw dad with tousled hair once a day<br \/>\nwhen he emerged from his room to eat dry bread for dinner. Mom worked all day and came<br \/>\nhome flustered at 10 p.m. I was confused, was this how I was supposed to react? By this time, it<br \/>\nfelt routine to me, a melancholy taking over my body for days after, but one that had not yet<br \/>\nforced me into depression.<\/p>\n<p>I finally surrendered to loss, to death. I let it consume my moments and my thoughts. For years, I<br \/>\nworried each day about death. I wondered about the likelihood of my heart stopping or my lungs<br \/>\ncollapsing. I couldn\u2019t fall asleep without whispering I will not die I will not die I will not die. I<br \/>\nhad a recurring premonition of dying in a car crash, some car coming out of nowhere and<br \/>\nknocking me out of existence. To my shock, it never happened.<\/p>\n<p>I never grieved immediately as a child, not even as the deaths got closer and closer to my heart. I<br \/>\ngrieved four, five, six years later when loneliness took over my brain, when I allowed it to<br \/>\nscream at my mother. I measured the continuum in anger, in the anger I felt toward her and<br \/>\ntoward God. To God, I screamed at my least favorite Bible verse in my prayers: I have turned my<br \/>\ncheek this way and that way and again and again. Raw is my skin, primal are my protruding<br \/>\nbones. Let this be the last strife, the last gasp for love. To my mom, I screamed aloud simply: I<br \/>\nhate you.<\/p>\n<p>A girl sits in eighth grade math. Pre-Algebra, I believe it was. She looks uncomfortable in her<br \/>\nbody, trapped in her mind. I know, somewhere in my body, that that girl is me. I can feel it in my<br \/>\nstomach and the way I remember the year I turned eight with frightening clarity. But I cannot<br \/>\nseem to realize it, that I am the girl that sits in eighth grade math, who is lucky to have forgotten<br \/>\nabout lemon bars, even if briefly, and who is even luckier as to not have faced death\u2019s wrath<br \/>\nintimately in five years. I cannot realize it in the way I tell the story about this math class with<br \/>\ndistance, the way this story occupies the same type of space in my mind as the book that left me<br \/>\nsobbing alone on the couch four times as a child. I cannot realize it in the way that it only feels<br \/>\nright to tell it in the third person.<br \/>\n&#8212;<br \/>\nLast night, that girl learned that her mother has cancer. Her first instinct was anger. She yelled at<br \/>\nher poor mother: You had fucking cancer and didn\u2019t tell me? Her mother told her, Sometimes, it\u2019s<br \/>\nhard to tell people that you\u2019re sick. She stormed off in anger. She didn\u2019t understand. She does<br \/>\nnow.<\/p>\n<p>Today, all she can think about is her mother in surgery. There\u2019s a high success rate, she was told.<br \/>\n9 in 10. But all she can think about is that one in ten chance. She looks around in math class and<br \/>\nthere are twenty people. Two would die if they were having her mom\u2019s surgery. She thinks of<br \/>\nher friend group sitting around the cluster of desks they push together every morning. Ten<br \/>\npeople. One would die. She knows somewhere deep inside her that that\u2019s not how death works,<br \/>\nthat it mercies those who only barely need mercying. She knows somewhere inside herself that<\/p>\n<p>she should be rational, that her mom is going to survive, that her mom is lucky for catching it<br \/>\nearly. But she cannot find that rational place. All she can find is the whirlpool inside her mind.<\/p>\n<p>12 p.m. arrives; the surgery is supposed to end. She expects a text, a call from her dad: Mom is<br \/>\nout of surgery. No call, no text. 12:15 p.m. arrives. No call, no text. Each second aligns perfectly<br \/>\nwith the beating of her heart. Her mouth moves in the shape of one, two, three, four, five, six.<br \/>\n12:30 p.m. arrives. No call, no text. She texts her dad frantically, Any updates? Is she okay? No<br \/>\nresponse.<\/p>\n<p>For two hours she thinks her mom has died. She skips over anything other than complications<br \/>\nand death. She breaks down. She can no longer recognize her own surroundings. Her mind is in<br \/>\nthe hospital, it is with her dead mom, it is not able to control itself. Her body knows it too. She<br \/>\nshakes profusely; she sits on her hands to hide it. She sobs silently, in the way that her classmates<br \/>\nthink she is violently shaking, not sobbing. She thinks of dinners with only her dad; she thinks of<br \/>\neach piece of black clothing she owns. She remembers the three funerals she attended when she<br \/>\nwas too young. She remembers how death felt when it was stuck in her throat, when she couldn\u2019t<br \/>\ncough it up.<\/p>\n<p>When her sobs have a sound, she runs out of class. Her face is blotchy, her neck painted with the<br \/>\nred dots she gets when she can\u2019t breathe. In the bathroom, she calls her dad. What Dabba? he<br \/>\nasks. Everything is fine. Your mother got out of surgery a while ago.<\/p>\n<p>He forgot to text her. Half of her brain thinks she will never be able to forgive him for this. Half<br \/>\nof her brain remembers that she will always forgive. She does.<\/p>\n<p>I am twelve, fourteen, seventeen, and eighteen when I love people whose grandparents die. I am<br \/>\nthose same ages when I am once again reminded of my luck, that I know one day I will have to<br \/>\nface that pain, but that day is not today and not yesterday and not all the days before yesterday. I<br \/>\ncomfort, discern, fathom, and cry for my loves in the second person. I come to think of the<br \/>\ndeaths of my own grandparents in the second person.<br \/>\n&#8212;<br \/>\nYou are in your grandmother\u2019s house for Thanksgiving. Heartache has overcome your every<br \/>\nstep, your every organ. You are in a desolate fog: the sun shines rarely in your mind. You know<br \/>\nyou are here, at a house familiar yet mysterious. You are occupying space on the earth, barely. In<br \/>\nshort, you are feeling the effects of the days shortening, of the winter arriving.<\/p>\n<p>Your uncle orders a club soda at the dinner table, and you have learned over the years to not ask<br \/>\nquestions. You evade questions about your nose piercing, about why you go to college so far<br \/>\naway. A screaming match erupts. It was political but has evolved into something greater that you<br \/>\ncan\u2019t quite place. You don\u2019t know enough information to break down every tense feeling flying<br \/>\nmostly from your uncle and your dad. Everyone pretends nothing happened when it is time for<br \/>\ndessert. Your mom was thinking about making lemon bars, but you begged her not to. Things<br \/>\nfeel normal.<\/p>\n<p>But under it all, this time is different. Your grandmother is dying. You see it in the way she<br \/>\nforgets to turn off the stove, the way she tells the same story three times within twenty minutes.<br \/>\nYou want to scream when everyone pretends like it\u2019s the first time. Things are not fucking<br \/>\nnormal. Am I the only one who sees that? You are almost relieved by the worried looks your<br \/>\nparents share when your grandmother cannot grasp her fork. You know to worry when your dad<br \/>\nand his brother finally talk about it. You can hear them making a plan, considering their options.<br \/>\nA caregiver, a home.<\/p>\n<p>Your first instinct is to pretend it isn\u2019t true. You know she has had times like this before, after<br \/>\nsurgeries, after injuries. It will get better; it will mend itself. You only accept it when you drink<br \/>\ntoo many glasses of wine with her, and it gets worse. She can barely remember your name. You<br \/>\ntext your friends through your drunken haze, and it is real.<\/p>\n<p>You hadn\u2019t thought intimately about death since your mom had surgery. You had forgotten what<br \/>\nit felt to feel it linger in your stomach. You have never known its imminence intimately. You<br \/>\nhave known about organs and hearts just giving out, giving up. But you have never experienced a<br \/>\ndeath that promises constant acceptance. Constant acceptance that tomorrow your grandmother<br \/>\nmay not be able to hold a glass ever again, that she may never be able to walk to the grocery<br \/>\nstore again. But you are forced to accept it, to accept that these are her final years.<\/p>\n<p>That night, you stand in the bathroom and look at yourself. All day people have been telling you<br \/>\nthat you are the mirror image of your grandmother. No one has told you this before, and you take<br \/>\nit as a sign. You notice where they are right and where they are wrong. Your noses have the<\/p>\n<p>same little dip on the left side, and you learned today that you have matching moles on your right<br \/>\ncheek. But she has green eyes; yours are blue. She is a natural redhead; you are a tryhard.<\/p>\n<p>You wonder if she knows it too. If she can tell her body is in decay, or if she is denying it. You<br \/>\nwonder at what age you start to accept that you will be gone. You think that you might start<br \/>\nbelieving in God. You hope your grandmother believes in heaven.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I first learned about The Other Side at that dining table antiqued with anguish. That one where we would pound our fists and carve our &hellip;<\/p>\n","protected":false},"author":32,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10,86],"tags":[],"class_list":["post-1114","post","type-post","status-publish","format-standard","hentry","category-non-fiction","category-volume23-spring2024"],"acf":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/wp-json\/wp\/v2\/posts\/1114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/wp-json\/wp\/v2\/comments?post=1114"}],"version-history":[{"count":0,"href":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/wp-json\/wp\/v2\/posts\/1114\/revisions"}],"wp:attachment":[{"href":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/wp-json\/wp\/v2\/media?parent=1114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/wp-json\/wp\/v2\/categories?post=1114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/community.scrippscollege.edu\/scrippsjournal\/wp-json\/wp\/v2\/tags?post=1114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}